Marketing is not a battle of products it is a battle of perception – a battle on constantly changing grounds. The drastic reduction in efficiency of traditional media, ignored for a long time, has now led to a massive structural change in corporate communications. The rise of online- and direct marketing, of PR and event-marketing are examples of the recent transformation in the business. The fragmentation of target groups and media-inflation is putting heavy pressure on traditional media. Advertisers are demanding more efficiency and new, supplementary ways to get their message across. The promotional product has benefited from this development. As a booster for mailings, a personal present, a giveaway or as an incentive it is more alive and loved than ever before. No other medium enjoys comparable acceptance, sympathy and recall rates. Which is why German companies spend more than three billion euros on promotional gifts in 2006 and the U.S. market has grown to over 17 billion USD per year. Promotional gifts, properly embedded in a corporate communication strategy, can boost the effectiveness of every other element in the marketing-mix. This is impressively demonstrated by the exponential increase in response rates when used in mailings, and by latest studies* showing 72% unaided brand recall with a promotional product compared to only 24% through print advertising. But, as Henry Ford lamented already in the 1920s, he knows half of his advertising budget is wasted - except no-one can tell you which half. Al Ries and Jack Trout remarked in the early 70s in their classic „Positioning“: „In no other human activity as much money is wasted as in marketing.“ Considering the complexity of the mechanisms of human learning and perception, using resources 100 % efficiently is certainly impossible. But scientifically proven theories exist in the areas of traditional marketing, salespsychology and below-the-line advertising methods that provide guidelines for advertisers. With promotional gifts, the situation is different. Although close to ten percent of advertising budgets are spent on them and their efficiency is beginning to be documented in recent scientific studies, the theoretical reasoning for their use begins and ends more or less with their tax-deductible-status. But this overlooks their uniquely multi-faceted, cross-media applicability. In view of this, the motivation to considerations that follow was to give food for thought on the success factors of promotional products and how to kiss awake the innate potential of this “sleeping beauty” of corporate communication. To begin with, we need to ask what purpose promotional products serve as a communication and promotion medium. Considering their many features and functions in the marketing-mix, one can summarise as follows: The promotional product is supposed to communicate a message and/or an identity of a company or a brand; to anchor it sustainably in the recipients’ conscious, and to invoke or confirm a positive attitude towards its sender. Promotional products can fulfil four functions: Promote a brand Promotional products can place a logo or a message in the target group’s environment and communicate an identity. With a well chosen, intelligent promotional product, the exposure time that can be achieved can be years. Build a relationship People never buy from companies, they buy from other people. A gift is strong symbolic gesture to strengthen relationships between people. Promotional gifts also strengthen relationships and thus foster a positive attitude towards the giver. Communicate Promotional products can teach and communicate intangible or abstract product qualities, serving as a three-dimensional metaphor. They can make the intangible touchable and anchor images and messages in the recipients’ long term memory. Convey an image Promotional gifts can communicate corporate values and qualities, both internally and externally. They can strengthen the corporate spirit and the identification with a brand or the company. This description is the starting point for finding out more about the reasons for the effectiveness of promotional gifts. The practical use of promotional gifts is still mainly happening in the area of conveying a brand or building relationships where its effectiveness can be understood intuitively. This has been the main driver of growth in the industry. However, there is still untapped potential in the areas of communication and image. Here, a promotional gift is superior to many other media or can boost sustainability and efficiency in a combined application. To understand how a promotional product works as a communication tool, we need to look at the basics of communication: A message is always transmitted in symbolic form, as there is no direct access to the thoughts and feelings of the recipient. Symbolic forms in interpersonal communication are for example spoken or written words, gestures, colours and images. Schulz von Thun, a communication psychologist at the university of Hamburg, has summarised the four possible communicative dimensions of a message in the model of a square, with the following four sides: 1. Factual Content Most messages convey a factual content, which has to be put into words that can be understood by the target audience. The factual content in promotional products is the object itself plus any explicit information printed or engraved like a logo, a slogan or a website address. 2. Relationship Depending on how one addresses others, what object one presents them with and how this is done, one also expresses what they think of them. Correspondingly, the recipient might feel accepted, patronised or appreciated. 3. Self-Revelation Every statement is also a revelation, an act of giving away something about oneself. The message in the shape of a medium thus always offers an insight into the personality and style of the party communicating. 4. Call to action In communicating, one always wants to have an effect. This is true for advertisements as well, which are intended to cause a positive behavioural tendency in the recipient. This call to action should be clear but not too strong or blunt, lest it cause a kind of reciprocal guilt which is counterproductive. Nobody likes to feel guilty or wants to be ordered around. Just the tip of the iceberg ... Every message has explicit and implicit parts. Explicit means expressly worded. Implicit means the message is conveyed without being expressed directly. Although it is commonly assumed that the explicit part of the message is the one that matters most, this is by no means the case. Often, the main message is being transmitted implicitly. The sentence the coffee pot is empty“, when directed at ones secretary, contains the implicit call to action “make some fresh coffee”, as well as making a statement about the style and personality of the sender and the relationship to the recipient. The implicit part of a message is of particular importance when it comes to promotional gifts. Explicitly, it may just be the logo and slogan printed on the product. Implicitly, the object gives away a number of additional statements. A hypothetical example: A useful, high-value object with an innovative function and bearing the logos, web-address and telephone number can (not considering the circumstances under which it was presented) make the following statements: „We are innovative!“ implicit revelation „We value quality!“ implicit revelation „We are there for you!“ implicit revelation „We value our relationship“ implicit statement about the relationship „We take you seriously!“ implicit statement about the relationship „We want to help you get your job done“ implicit revelation „Call us!“ implicit call to action „Visit our website!“ implicit call to action „Choose us for your software support!“ implicit call to action Also influencing the message are the implicit statements made by the shape, colour and tactile qualities of the object. The implicit part far outweighs the explicit part of the message, both in sheer numbers as well as in meaning. An implicit message gets through even if the communication is denied. In our case, this may be because (again ignoring the circumstances of the presentation) the article is not received. This may be because a customer visiting, say, a trade show sees the gift being presented to another customer, while he himself (intentionally) does not receive one. Even this conscious refusal to communicate is a symbolic expression for the hidden message of „I don’t want to contact you!“ (self-revelation), „You are not attractive as a partner for us!“ (relationship), „Do not try to contact us!“ (call to action). As the psychologist Paul Watzlawick said: You can’t not communicate.“ Cognitive dissonance: There’s something not quite right here! The challenge in interpersonal communications and in communication through promotional gifts lies in “rounding out” the message square. This is because the message only gets through as intended when it says the same thing on every side. This occurs when all elements of a message supplement and support - instead of contradict - each other. A message is well-rounded only if all signals are going in the same direction. If not, they create a cognitive dissonance, a gut feeling of something being not quite right. An easily construed example for cognitive dissonance is a company presenting itself with the slogan “Quality is our first concern“”, but printed on cheap tshirts. But often the dissonance is more subtle, for example with a promotional product that carries the same slogan as before, looks expensive as though it was made of metal but when you touch it they reveals itself as being made of cheap plastic materials. Or a company claiming to be innovative and creative using a pen as promotional gift and moreover a pen of the same type as their main competitor. But cognitive dissonance can occur on all four sides of the message square, i.e. on the relationship side, when the object suggests a familiarity that does not exist (by giving an valuable object too early in the relationship). The challenge in the use of promotional gifts lies in harmonising the factual side with the subtle, but decisive messages emanating from the other three sides of the square, and integrating all this into the overall strategy for corporate communication. The message arises in the recipient’s mind To achieve this harmony, we have to get through the biggest barrier to understanding our message: the inner ear of the recipient. It is only when the symbols are decoded that the message takes shape in the recipient’s mind. If they are decoded with an emphasis not intended by the sender a misunderstanding is the result. It may well be that the recipient construes meaning on a level where none was intended, with grave consequences for the sender’s message. This is particularly true on the level of cultural symbolism. A mailing including a Swiss army pocket knife for example would lead to catastrophic consequences in Arabic countries. The intended implicit statement of versatility, precision and quality would be overshadowed by the cultural symbolism of the knife, understood to mean the severing of ties. The sultans in Arabic countries used to make gifts of ornamental daggers to followers fallen from favour, implying a choice between ritual suicide and exile. Another example would be presents of four parts, wrapped in white, both which signify death in Japan. But even in our culture, misunderstandings can arise depending on the educational level, interests and cultural background of the target group. Starting with the recipient The more is known about one’s target group - which side of the square resonates most strongly, what kind of object is emotionally and functionally relevant - the better one is able to get through to it. „The bait needs to suit the fish, not the fisherman“ This means that one’s own tastes do not matter in choosing a promotional gift. Rather, one has to ask: Does it , explicitly and implicitly send the intended message? Is the object relevant to the target group? Does it resonate emotionally with the recipient? How sensitively everyone reacts to different messages communicated through objects can be seen in the personal giving of gifts. Here too an object is presented and becomes the bearer of multiple messages. The recipient construes answers to the following questions: What use is this present to me? How much pleasure does it give me? How am I valued? What does the presenter think about me? e How much care was taken in choosing the present? What is the taste, style and wealth of the presenter? To what degree do I have to reciprocate? How much gratefulness do I need to express? Only if all aspects of your statement satisfy the recipient, the present will be perceived as pleasing. The difficulty in finding the right present for some people - how many misunderstandings have been caused by a poor choice in Christmas presents underlines the challenge in finding a suitable promotional gift for one’s message. The presentation cannot be separated from the present itself, as the way of presenting it communicates as much as the present itself. - How is it wrapped? - Does it arrive in the mail or is it presented in person? - If it is presented in person, what words accompany the presentation? - How does the message relate to the occasion? A successful presentation can turn a poor present into a good one, and a good present into great one, remembered by the recipient for years to come. Mostly though, this aspect of making presents is overlooked or deemed irrelevant. Because of this, an important aspect of the effectiveness of This article was published on Saturday 01 December, 2012. |